Sound Waves Continued

Sound Waves

Sine Waves Out of Phase

Multiple Sounds Playing at Once

The Polarity Inversion

Sound Waves and Air Molecules

Frequency

Amplitude Continued

Sine Wave Frequency Demonstration

Wavelength

Harmonic Sounds

Amplitude

Octaves and Harmonic Intervals

Noise Signals

Equal Loudness Curves

Comb Filtering

Polarity Inversion Revisited

Polarity Inversion Pink Noise Demo

A Polarity Inversion Has No Audible Effect in Isolation

String Harmonics

Inversion vs 180 shift vs Comb Filter

EQ Curves

Digital Audio Overview

Samples Points in Software

Converting Sample Rates

The Nyquist Theorem Sampling Theorem

Oversampling in Plugins

Importing the Wrong Sample Rate

Bit Depths

Bit Crushers

Bit Crusher Revisited

Floating Point Bit Depth Part 2

Bit Depths and Quantization Distortion

Floating Point Bit Depth

Recorders with Floating Point

Microphone Level Signals

Mic Level and Line Level

Pro Line Level and Consumer Line Level

Microphone Preamps

Instrument Level

Speaker Level

Bridging Impedance

DI Boxes

Unbalanced Connectors

Balanced Cables

Condenser Microphones

Dynamic Microphones

Ribbon Microphones

Phantom Power

Comparing Our Three Mic Types Part 2

Plosives

Polar Patterns

Comparing Our Three Mic Types Part 1

The Proximity Effect

Compression Explained

Kick and Snare Compression

GateExpanders

Side Chain Compressor

Voice Compression

Parallel Compression

Side Chain Kick and Synth

De Esser Side Chain Example

Bass Compression

Reverb Auxiliary Inputs

Reverb Drum Timing

High Pass Filter on Reverb Auxiliary

Reverb Demonstration

Convolution Reverbs

Chorus

Pre and PostFader Sends

Flanger

Tape Saturation

Delay

Distortion

The Illusion of Stereo

Localization of Sounds

Diffraction

Speaker vs Headphone Mixing

Single vs Stereo Microphone Recording

Final Recap